Showing posts with label worlds. Show all posts
Showing posts with label worlds. Show all posts

Tuesday, January 10, 2012

The Master is a Slave

This image is blatant pandering to
my sister in law

Continuing from my previous post, another thing that makes RPGs so different from board games is the notion of a Game Master. I realize that phrase might make some people shudder away in disgust and exclaim, “that's just too nerdy for me!” but I implore those people to continue reading anyway.

As far as I can think, there's nothing quite like having a game master (or GM) running the game. In video games the player is limited by the bounds of the game itself. If you walk to the furthest reaches of the map, you'll find an invisible wall that blocks the way. Books and movies are different because the reader or viewer is effectively on rails for the entire duration. The experience is passive instead of active. This doesn't make it better or worse; just different. The audience has no control of what does or doesn't happen on the screen; they're simply along for the ride.

Meanwhile, sitting at a table with a person who is the author, narrator, voice and personality of the characters is something to behold, especially if it's done well. If a player decides to travel to the farthest reaches of the planet, it's the GM's responsibility to have something suitably surprising waiting there for him to find. This is why I keep stressing the importance of imagination in games. If imagination is limitless, the world is limitless.

Now you can start to see where the difficulty of creating this kind of game can be. In a previous blog I mentioned that RPGs come in books. Most of the time a portion of the book is devoted to explaining the world (also called a “setting”). Essentially a setting is an elaborate list of Do's and Don'ts. A setting could take place in the Wild West, except with strange and grungy magic. It could be like Men in Black. It could be based on My Little Pony.
This guy knows what I'm talking about.
However, people are wild and unruly creatures who desire above all things to get their own way. This was one of the first things I learned when I jumped headfirst into running my first game. It can be frightening; I had spent hours trying to anticipate what a group of three players might do inside a single tavern. Within two minutes of playing they were already doing things I hadn't thought of. This is something I think every writer should experience just once; people like to break things. Look at what happened within a few weeks of the new Star Wars game coming out; people got inside the game and found ways to break it, giving themselves an advantage.

You see, when a person sits down to write a story, they have time to ponder and caress their words and characters. They can carefully sketch and sculpt their style and narrative to suit a certain purpose. This is one of the reasons it takes so long to write things. Compare this to RPGs, where the writer can prep as much as they want but still be fairly unprepared for the game. It doesn't matter how much time an author spent describing the perfect woman; when suddenly asked by a player if she's ever killed a man, all preconceived ideas are quickly called into question and the author has to stop and think. It's this very unpredictability that makes the game both a blessing and a curse.

Saturday, January 7, 2012

A New Year, A New Topic

I was recently asked if I was going to continue writing on this blog. “Of course,” I said. “Why wouldn't I?”
“Oh,” replied my sister, “because you haven't updated in a long time. I was wondering if you'd just abandoned it.”
“But I'm not writing anything,” I said, “except maybe adventures for our roleplaying games.”
“Why don't you just write about those?” she asked. It was a good question. Why don't I?

It's not like my content would change much. Devout readers will remember that I like writing about sci-fi and fantasy. It's not a surprise to hear that all of my gaming sessions are based in similar universes (that is, either fantasy or zombie mayhem, which is kinda sci-fi-ish). I've written two (crappy) novels that were set in a comfortable place between the two genres, but I hesitate to call it Science-Fantasy because another guy has basically defined that genre as something else altogether.

This is more my speed; bizarre.
But where should I start with a blog about roleplaying? There are already several blogs devoted to the mechanics of RPGs, and other still devoted to nothing but adventure creation. I don't really want a blow-by-blow account of a night's events, as I typically find those uninteresting. Because this blog is supposed to be my way of helping random strangers overcome writing hurdles, I think it'd be best if I covered the things I do from the perspective of an aspiring writer. Hopefully this will broaden the appeal of such a blog, ensuring that it can be read by people who might not care much about this kind of entertainment, but also by those who do.

Topic 1: What the eff is a roleplaying game?

Around December of 2010 I was regularly meeting with some friends from math. You can read the account for yourself in more detail. Long story short, I wound up trying to create and run a system of my design (read: poorly conceived) and play a rudimentary adventure with my friends. Well, most of those math friends only lasted as long as the class itself, so at the end of the semester I found myself writing stories for some new players, most of whom were directly related to me.

A few months and one systems change later, I found myself slightly more experienced with this kind of game. I had played board games in the past but I had never been a huge fan (note: this opinion has changed significantly since July 2011, but that's a topic for another blog).

To say that a roleplaying game is like a board game is to do them both injustice. Board games have very clear-cut rules and goals, and typically one player wins. They're made to appeal to a fairly broad audience; they're play-tested rigorously before production, which itself can be expensive. Roleplaying games are typically based around a system of rules, which can vary wildly depending on preference. They're written by one or more people, they're also play-tested, but these games are mostly distributed as a book of rules. There are no boards to print, no cards to make, no wooden chips or bits to include in a box. Some people are baffled by RPGs for this reason; if a board game comes in a box, then how can a roleplaying game come in a book?
Almost every game here is terrible.

So what exactly is a "system?"

Similar to how there are many different makes and models of automobile in the world, there are numerous roleplaying game systems. If I drive a Chevrolet and you drive a Toyota, we're both driving places but we're getting there with a different style. The feel of the cars might be different; the shape of the seats and the layout of the air conditioning controls might vary, but ultimately we're both driving cars. 

To continue the analogy, imagine that while you're driving your Toyota, I'm actually driving a completely different kind of vehicle. For instance, a train or airplane. Hopefully now you can start to understand the difference between the Dungeons and Dragons system and something more obscure. For instance, Savage Worlds .

The reason the game comes in a book instead of a box is because most of the game is about imagination. But how is that any fun? Some people think the idea of playing with their imagination is childish and stupid. Perhaps it is, but only as long as they're imagining childish and stupid things. The word imagination (like many other words) has suffered from Disneyfication; when people hear the word "imagination" they hear it in either a mysterious Sleeping Beauty Narrator kind of voice, or Ms. Frizzle shouting "use your imagination, kids!"

Ugh.

The first thing a you need to realize is that imagination can be a very dark and powerful thing. If you've ever read a book then you were subject to some degree of imagination both on the part of the author and from your own mind. Whether your were reading the driest and most boring narration of 15th century European history or the most exciting moments of the Lord of the Rings. Imagination is a part of your life whether you know it or not: If someone asks you what you're thinking of having for dinner, you'll probably look forward into the future with your imagination to see what you might eat. "What sounds good?" really means "what do you imagine yourself eating tonight?"

I googled "imagination"

Imagination isn't complete fabrication, either. When you're thinking, you're really pulling on every experience, conversation and memory in your life, usually with the most recent stuff floating to the surface.

With this in mind, I present you with the most simple explanation of why the heck anyone would waste their time playing a game like this. Essentially the game is one long string of hypothetical scenarios. If I said to you, "imagine that right now, while you're sitting in front of your computer, you look up and see a strange person standing in your doorway. The person is holding a knife and looks murderous.

What would you do?"

I'm not even sure they're playing a game. Looks like a really
terrible family reunion in the heart of the 90's.
Of course not every scenario is so dire, but these kind of scenarios are used frequently, even in things like employee training. This is nothing new to most people. So why is there such a jump in perception when I call something a hypothetical scenario versus when I call something a roleplaying game? A negative stigma brought on by horror stories of kids who killed themselves after playing D&D? The fact that the players of these kinds of games are typically really dorky? 

The fact is that tabletop RPGs are still fairly unpopular in the eyes of the mainstream, played only by an obscure underground of people. It's not all number crunching and funny voices; it's one writer creating a space for players to answer questions to hypothetical scenarios. It's this writing aspect that interests me the most.